Cultural art gallery, The LA Art Box (The LAAB), in partnership with Parangal Dance Company, is pleased to announce Belonging, a collaborative showcase of Filipino American creatives through their own visual narratives...
Category - Theater
Pauline Adamek
Albee’s “Who’s Afraid of Virginia Woolf” Geffen Playhouse review
::STOP PRESS:: Virginia Woolf ~Now Extended to May 29th~ Bitchiness, thy name is Albee. Has there ever been a play that reveled in so much in mean-spirited badinage as Edward Albee’s Who’s Afraid of Virginia Woolf? Sour...
Terry Morgan
“Bright Half Life” — reviewed
Plays that chart the course of a romantic relationship have long been a staple of theater. Stories told in a nonlinear way are less common but not unheard of. When you take the previous two structures and apply them to...
“A Public Reading of an Unproduced Screenplay About the Death of Walt Disney” – reviewed
I have a rule about avant-garde theater: if an artist chooses to deliberately obscure his/her/their meaning via unusual methods or flirts dangerously with pretentiousness, the play had better validate those choices by...
In the Next Room, or the vibrator play – reviewed
When I told people I was going to see a new production of Sarah’s Ruhl’s play, In the Next Room, I received a series of blank stares, but when I included its subtitle, or the vibrator play, I saw instant comprehension...
