Tiny Father, written by Mike Lew, feels like one of those plays based on real events that the playwright feels compelled to illuminate. The story begins in a low-lit but sterile-looking hospital room. A man is nervously...
Category - Review
Pauline Adamek
The Industry’s “The Comet/Poppea” reviewed
An inspired mash-up between two works, The Comet / Poppea is a new opera from The Industry, conceived by company founder and co-artistic director, Yuval Sharon, and composed by George Lewis, with libretto by poet...
World premier at The Montalbán – “The Batette Follies of 1939” reviewed
Suave, sensual and elegant, The Batette Follies of 1939 is the newest show from Australian film, TV, theatre, and publishing maverick, Russall S. Beattie—the visionary who brought us The Empire Strips Back. An...
L.A. Opera’s magnificent “Turandot” reviewed
Giacomo Puccini’s lush and exotic Turandot is widely considered to be one of the grandest of grand operas. An opera in three acts, it was composed by Puccini to a libretto in Italian by Giuseppe Adami and Renato Simoni...
WATCHING THE DARK – “The Blackcoat’s Daughter”
Welcome to Watching the Dark, a new regular column featuring essays and articles about horror films. Written by Terry Morgan. The Blackcoat’s Daughter from A24 The Angels, They Forgot Her For myself and presumably many...
Terry Morgan